I’ve been meaning to write this for a while now. The holidays got in the way, but maybe that was for the best. It gave me time to really think about what I wanted to say.
And here it is.
It is okay to like Dan Fogelberg.
Go ahead. You can say it. Here, watch me:
I like Dan Fogelberg. Some of Dan Fogelberg’s music, I loved. And still do.
Dan Fogelberg died of prostate cancer on December 16th, 2007. He was 56. His most recent publicity photos show a good-looking guy, clean-shaven and smiling, the kind of guy who makes middle-aged moms blush and their daughters giggle.
Unfortunately, his reputation didn’t weather the years as well as he. For some folks of a certain age, Fogelberg’s name has become the go-to punch line for jokes about 1970s-era granola-munching, Chukka boot-wearing Sensitive Guys. Many critics loathed him. Rolling Stone’s review of 1979’s Phoenix is so contemptuous, you can damn near picture the author spitting on the album cover.
It’s less troublesome to dismiss Dan Fogelberg, as have most eulogists I’ve read, as that “1970’s soft rock singer-songwriter” who scored a few hits than it is to set aside that fashionable prejudice and honestly consider his work. Or, more telling, his work’s popularity.
The fact that so many people evidently aren’t willing to do that – and worse, are dismissing Fogelberg as little more than a footnote to 1970s and early 80s pop – is really getting under my skin.
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